Emmanuel Lubezki
-"Children of Man"(2006)
The camera movement is a big part of how Emmanuel Lubezki shows the film. There are multiple scenes of long sequences, with characters walking and talking.
None of the scenes have a static shot, about every scene has a handheld camera.
The slow-moving camera directs the scene and when the camera is focused on the subject it always has a handheld movement. The slow-moving camera tells the action. The night at Jasper's house, we can see the expression of Theo as the camera slowly moves in.
when action occurs, it moves in a fast past to show chaos. The car action scene shows the best of long sequences and his camera style.
In about every outdoor scene, the lighting is naturally lit by the environment
-"Gravity"(2013)
This film uses lighting and color to tell the story, the film combines CG with live actors in continuous camera movement. The camera movement is different from the "Children of Men". In "Children of Men", the camera is more grounded, handheld, and feels more clustered. In this film, the camera has a smooth motion as if we're in space with the character.
lighting and color tell the feeling of Ryan Stone. We're able to view through the character's eyes and see her fear. Through the careful manipulation of lighting and color, the audience can connect with Ryan on a deeper level, empathizing with her struggles and feeling the intensity of her emotions as if we were right there with her.
-OVERVIEW
About every film, Emmanuel Lubezki approached with continuous sequence scenes. He creates scenes that are natural with lighting. Each film tells a different story and his camera movements change to convey that story.
Roger Deakin
-"Blade Runner 2049"(2017)
Roger Deakin set a 3d dimension of the scene he created in the film, every scene consists of background and foreground that fill up the frame. His use of color helps narrate the story, there are constant colors that play a role in separating scenes. Each scene is crafted with its own unique color scheme.
The idea behind Roger Deakin's cinematography is he always planned before he shot the film
Комментарии